Both acting on screen and working behind the scenes, Scott Chambers is renowned for his compelling work in film, television, and theatre. His career is marked by a diverse range of roles that highlight his versatility and depth as an actor. He has an extensive list of credits as a producer. Notably, working on and acting as Christopher Robin in the new “Winnie-The-Pooh: Blood and Honey 2,” which is a sequel to the viral first film. It marks the beginning of a whole new genre of horror.

You have an extensive body of work, acting in TV and films, as well as working behind the scenes. What was your initial pull to performing and entertainment?
I have been making my own movies since I got hold of my dad’s video camera at the age of eleven. I would always make horror movies as my older brother got me into them at a young age. When I left college, I signed up with an acting agency but soon learned the industry was pretty hard to get into and so in my free time I continued to make my own movies. I set myself a goal of 100 films by the age of 27. Once I had done that I looked into how to get my company more recognized so I got into more clickbait movies. Humpy Dumpty, Jack and Jill, Dinosaur films, etc.. Then I saw “Winnie the-Pooh” was in the public domain and I went for it. The year we made the first movie I made 47 feature films while also acting in the title role of Doctor Jekyll and the ITV series “Malpractice.” It was an incredibly tense year!! I don’t think my generation can sit around and wait for the phone to ring. I am about making things happen and making my own opportunities.

While you have been involved with just about every genre, there seems to be a pattern of suspense and thriller films. What draws you to this genre?
I think the audience is such a dedicated one. Horror fans are incredible and they always show up. It also helps that I have a personal passion for the genre too. The best thing is you do not need a named actor to sell it, your “hook” is your selling point. If you can think of the right hook, you have your audience.

On your latest film, “Winnie The Pooh: Blood and Honey 2,” you are both a lead actor and producer. How did these roles find you and what drew you to the project?
I produced the first movie but another actor played Christopher Robin. Rhys said that in the sequel he wanted to make the entire first movie a movie within a movie. He wanted to reset, have new designs for the creatures, and a new Christopher Robin. He asked me and I was hesitant at first because I was also producing the project. Usually, you end up wearing a lot of hats. I eventually was convinced to play the part by Rhys. I really believe in him, and I thought the role would be a lot of fun.

You play the iconic role of Christopher Robin, but now he’s all grown up. What is the process of sort of reinventing this iconic character for a horror film?
The big thing is he starts in a place of grief and trauma. A year ago, a horrific event took place and dealing with that as an actor I wanted to ensure he was likeable. I didn’t want it to be all doom and gloom. So, a big thing was to make him hopeful and give him as many smiles as possible so people can relate and root for him. There is a twist toward the end of the film that really meant I had to use my imagination as there isn’t anything in my real life relatable from which to draw. It was a lot of fun.

"Winnie the Pooh: Blood and Honey 2" takes a beloved children's story and turns it on its head. What challenges did you face in balancing the nostalgic elements with the horror aspects of the film?
Its super hard to make him scary. So, you are always dancing between the horror and the fun of the situation. I think Rhys and Matt Leslie put together a great script. The movie is off the walls gory, and there’s a body count of about 60 deaths. This film has heart, gore, and thrills. I think it should tick all the boxes.

How did your responsibilities as a producer influence your approach to your acting role, and vice versa?
It was incredibly hard. Two days prior to the shoot our production designer/costume designer pulled out, and I soon learned not much had been done. So, while I was meant to be working on my role I found myself in a cafe, on a laptop purchasing 60 raver costumes. It was intense. By the first day of the shoot, I was ill, not from flu but from stress. I kept sleeping between takes and it was hard to focus. However, everything happens for a reason and I think that is actually how Christopher was mentally beat.

The first film created a cult following. What can fans of that film look forward to in the sequel?
This one is wild with some disgusting sequences. What springs to mind is a girl who is horrifically tortured before a bear trap is laid below her head. Another scene involves a dishwasher, a knife, and an eye. It’s got some memorable deaths. Expect to see popcorn horror fun, a nonstop action-packed movie with a lot of twists and turns. Tigger is ruthless! For sure is my favorite.

After being involved in such a distinctive project, what other genres or stories do you want to explore as an actor and producer?
We have just announced our own Avengers type movie, “Pooniverse: Monsteris Assemble,” which will feature more than 10 public domain characters battling it out. We shot Peter Pan’s “Neverland Nightmare” in May, which is truly twisted and a mix between “Switchblade Romance” and “The Black Phone Bambi: The Reckoning” shot in January 2024. “Pinocchio: Unstrung” shoots this summer. We do have some secret projects we are working on that are more serious horror. I have one that is a horror film set at a LGBT conversion camp that I am super excited for, along with a true crime from the 80s set modern day.

Social Media.
Instagram: @scottchambers_

PhotoBook Editor-In-Chief: Alison Hernon
PhotoBook Creative Director: Mike Ruiz
Talent: Scott Chambers
Photographer: Lee Malone
Fashion Stylist: Sarah Rose-Harrison
Groomer: Maria Comparetto
Tearsheets by Daniel López, Art Director, PhotoBook Magazine
Interview by Ethan Engh, Contributor, PhotoBook Magazine
RADAR Created by Ayoka Lucas